Again, for most work, using the Rec.709 color space is still the 'normal' expected one for output deliverables and monitors. There are now options for sequence color space there. With the timeline panel 'active', with a blue line, go to the Sequence/Sequence Settings menu. There are now color management settings for Sequences. And still, some media types allow a user CM setting in the Project panel, but some do not. And at this time there may be inconsistencies in the process. These are major changes in default color management behavior. You must check the Sequence color space now. While dropping the HLG clip onto that sequence without applying color management to Rec.709. Premiere may still create a sequence with a Rec.709 color space. One further caveat: if you have a clip that Premiere recognizes as HLG or PQ, and use the command to "create new sequence from clip". In Premiere Pro 2022, recognized Log formats may or may not be transformed into Rec.709, the user may need to do so in the Project panel.Īnd any phone or other "device" produced media that has an HLG or PQ color tag, may or may not be transformed to Rec.709 on import.Īgain, unless the user chooses to do so in the project panel. Those have all been changed, and many more log formats are now recognized as such.
There were a few manufacturer Log formats that had default transform behaviors in the previous version. For most work at this time, you will want to use the Rec.709 override option. If your media is 'blown out' on a working timeline, this is where you will start to correct it. Down at the bottom are several color management options. Right-click one or more clips, Modify/Interpret Footage. There are now color management settings for clips in the Project panel. ( Also check out this article on monitoring HDR within PrPro2022) I'll give a short practical control setting list, and then a more complete explanation below. And with the media now produced from most phones and "devices". Users need to be aware of the changes to continue using several Sony, Canon, and Panasonic cameras in particular. Also changed were the default handling for 'device produced' media in HLG or PQ. The Premiere 2022 release, the 22.X build series, introduced several new Color Management options and changed the default handling for several LOG and RAW media types.
0 kommentar(er)
